This large composition was all made of 100% CGI. The idea was to make a scene entirely made of paper and any other craft elements like wire and glue..
For this project the final image was made up from many different photographic plates. Bubbles were comped in and graded to fit the image.
These images are made up from multiple plates comped together and graded in photoshop.
This image was a large composite of photography plates. The room was made of many plates comped together and then the talent was added. The grade was added to give the final look.
This project is entirely made up from CGI apart from the bottle which was photographed.
Client: Macs Beer
This series of images have been crafted from locked off photography plates. The final result is a punchy series with plenty of atmosphere.
These images were created to sit along side of the TVC campaign. Images were comped and graded.
This project for Mazda has a huge 16 hour retouch. The car was rendered in CGI and all the background and talent plated were photographed. The Background was made from multiple plates and them the talent was added. Then the car was comped into the scene and graded.
Below is a video time-lapse of the retouch.
For this Project I got the amazing opportunity to work on an awesome brand. Photography was shot by Duncan Innes. I retouched and graded both images using photoshop. The moving one was shot stationary so I added motion in post.
This project was a composite of stock photography and the Marlin was a 3D model posed and comped into the under water scene. Final image was a mix of Cinema 4D and Photoshop.
This is a project I worked on with photographer Simeon Patience. We had these two cars for a day so we took them to some beautiful NZ locations to shoot. The final images are made up of many locked off plates composed together.
This is a personal project I did. Completely made in CGI the idea was to have a couple of inflatable scenarios.
This project was created completely in CGI and all post done in Photoshop.
This is a project I worked on with the talent art director Greg Wylie. He came to me explaining the concept of ideas being opened up and a scamp. This is the result. All created in CGI.
This series of images are all 100% CGI with a little post done in photoshop.
This Mazda was photographed in studio. The main image is composed of multiple locked off shots of all seperate panels of the car, then combined to make the final image.
These images were composed of Studio photographed talent and stock pictures of dogs. They were then composed together to have the body and har of the talent for a unique portrait look.
Client: Animates Pitch